Do You Want to Make Me Come Again?

21 March 2017

We’re in a fancy hotel room for the night, living it up in the big city, having a blast like we always do when we’re together. And this time, without our mom around, we’re having even MORE fun. We can’t help it. It’s natural. We’re best friends. We’ve always been.

It’s late, we’ve dined, wined, we’re so tired… and maybe still a bit drunk. We laugh about having to share a bed, but we don’t care. It’s no big deal. We’re brother and sister, we’re family, we can handle it.

And then, as it gets even later, we start talking… about random stuff at first, even about losing our dad, how you and I became even closer after the accident… probably because we’ve been drinking all night long. Too much. Or maybe, just the right amount.

There’s no way that either one of us will ever be able to tell just when it happened… which confession was too much, or enough… when the playful, sibling teasing became more. But it happened. Because we found out we’ve both wanted it.

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March 21, 2017 at 8:03 am

Darren says:

She must receive hundreds of requests a month. One of them stands out … and she builds upon that request an edifice of erotic performance.

Just good old-fashioned performance, too, without the “erotic” qualifier. What a sustained effort here. Tara plays a young woman alone in a fancy hotel room with her brother; they’ve just overindulged at a fancy restaurant. Some tragedy in the background for these two: their father passed some five years earlier, the mother (as described by Tara) hasn’t really been “all there” since, and so bro and sis have become deeply close — too close, as it turns out. She even compares him to a de facto parent. A sexual “incident” is therefore not much of a surprise.

Now that’s the sort of keen psychological understanding that Tara Tainton brings to her work. I’d wager most of the backstory was ad-libbed on the spot, beyond the basic idea.

Sexuality is tied up with our vulnerabilities. Here, those vulnerabilities are emotional pain … and vanity! As events unfold, Tara’s character is someone who knows she looks good, and frankly gets off on the idea that her brother watches her. Emotionally needy and highly sexual: a dream combo, LOL!

But it’s the journey to the orgasms that makes this video, and all of Tara’s dramatic work in this vein, worthwhile. Near the 19-minute mark: “It wouldn’t BE a big deal if you didn’t look, and then it IS a big deal … and you’re … ssstupid.” Ha ha ha! I daresay women who are lucky (or unlucky) enough to have brothers are never so relaxed and natural around males again until they find a husband that they entirely trust. I also liked the riff around the 22-minute mark, where Tara mocks the brother’s girlfriend, and concludes, “Like I’m supposed to, like, report back to you, and go, ‘She’s ready, she’s waiting for you to propose to her'” — then to the camera, a look of slight disgust on her face — “You’re not going to, are you?” Oh man. :) It’s the details, the deliciously real details like this, that we love so much.

Tara’s performance is sustained and logical throughout. She pitches her voice slightly higher as befitting a younger, nice but rather vain, woman. A woman who, let it be said at once, is horny as hell: hence the fidgeting motif. As any attentive man knows, when a woman fidgets, she’s either genuinely uncomfortable or horny. A smart guy intuits the difference. I guess the imaginary bro is pretty smart. :)

All in all, this video is another for the ages, and will no doubt be a big seller for months. I know they must be exhausting to make, Tara, but we love your epics. You’re so brilliant and lovely. Thank you!

“I think you’re amazing. I have never written anyone before until you. You just have that special something.”

Do You Want to Make Me Come Again?

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“I think you’re amazing. I have never written anyone before until you. You just have that special something.”

Do You Want to Make Me Come Again?

Share

Buy the full experience now

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